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The lyrics seem to be about the fact Cheryl once tried to dump the 1D lad over the phone, but they instead ended up becoming official and later having a baby.But in the video the couple are far from reconciling after a possible break up.Cycle among the castles, the museums and the churches, and then through the tranquil countryside for a wholesome Flemish experience.
Taylor Swift's new single "Look What You Made Me Do" — all wobbling bass and phoenix from the flames imagery — is everywhere. Right Said Fred's members Richard Fairbrass, Fred Fairbrass, and Rob Manzoli are all credited as co-writers on "Look What You Made Me Do," alongside Swift and her regular collaborator Jack Antonoff.
Beer and history lovers can visit the family-owned Cantillon brewery to observe the brewing process that hasn’t changed in over a hundred years.
The van Eyck brothers’ Adoration of the Mystic Lamb, a Flemish Primitive altarpiece, represents a milestone in art history, and is the pride of the port city Ghent.
And with its release brings the welcome return of one of the '90s's most likeable and infectious one hit wonders: British trio Right Said Fred's shirts-off gay club anthem "I'm Too Sexy," which hit number two in the U. Presumably, that's due to the minimal, beat-driven hook of Swift's track sounding strikingly similar to the jubilant chorus of "I'm Too Sexy." When Swift unleashed her single early Friday morning, the Fairbrass brothers seemed pretty excited about this: On Friday morning, a rep for Right Said Fred explained via email to The FADER: "The boys did not work with Taylor directly.
Taylor and her team reached out to the guys about using the track and Right Said Fred were happy to oblige; they like what she does and are very pleased with Taylor’s interpolation." Also via email, a rep for Swift clarified to The FADER: "'Look What You Made Me Do' includes an interpolation of 'I'm Too Sexy' — it doesn’t sample it." In The Washington Post, journalist Emily Yahr compared Right Said Fred's (presumably lucrative) co-write credits on Swift’s single to other recent examples of artists retroactively crediting other songs on their megahits.
At the Museum of Fine Arts Ghent, one can even witness the live restoration of this most stolen artwork of all time.